Tag Archives: folk guitar

Farewell Trion

 

A panoramic view from the top of Lookout Mountain, overlooking Chattanooga, February 1864, by George N Barnard.

 

The haunting Farewell Trion began life as a two-part tune composed by fiddler Joe Blalock (b.1854) on his return home to Mentone, Alabama, after he’d been laid off from the mill in Trion, Georgia. Joe’s great-nephew Mack Blalock (1914-1987) got the tune from him, and passed it on to acclaimed present-day fiddler James Bryan, his neighbour in the Lookout Mountain region of Alabama. In the 1980s, James added the third part that we hear in these two gorgeous renderings.

You can find more background on the tune’s origins and the Trion mill at banjohangout. I’ve been unable to find any way to contact James Bryan; I do hope he won’t mind too much that I’ve Fiddletailed him without permission.

 

James Bryan (fiddle)

Recorded at MerleFest, 1993, accompanied by Carl Jones and Tom Jackson

(‘James Bryan – Farewell Trion’, YouTube video 1:32. Published Feb 28, 2011, by Barry Brower. https://www.youtube.com/watch?v=hOar4KegZiY)

 

Tashina Clarridge (fiddle), Jefferson Hamer (guitar)

From a 2011 performance on Bainbridge Island, WA, USA.

(‘Farewell Trion (Fiddle Tune)’, YouTube video 6:23. Published Mar 14, 2011, by realtimesw. https://www.youtube.com/watch?v=9w9LpD-Gnro)

 

Tashina Clarridge:  Facebook  The Bee Eaters

Jefferson Hamer:     website  The Murphy Beds  with Eamon O’Leary

 

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Bacon Rind

 

 

Get your contra dancing shoes on for this deceptively simple ear-worm of a tune from the playing of Kentucky fiddler Everett Kays.

Here are three versions.

Take 1: Everett Kays lays the tune out at dance speed with a stringband for the original 1973 field recording (now in the Berea College Southern Appalachian Archives*).

Takes 2 and 3: Seattle-based fiddler Greg Canote plays two slow teaching versions – first a music camp video; second, a slightly more uptempo audio track from the Canote Brothers’ Seattle stringband class.

Key of G, standard tuning on all three recordings. Choose whichever speed suits you best for tunecatching, and for playing along with once you’ve got it down.

 

Everett Kays (fiddle), accompanied by unnamed musicians

Anderson County, Kentucky, 1973

(Tune number B02 on reel BG-R003 in the Bruce Greene Collection SAA90, Berea College Southern Appalachian Archives. http://dla.acaweb.org/cdm/singleitem/collection/berea/id/317/rec/2)

 

Greg Canote (fiddle), Candy Goldman (banjo)

Filmed at Walker Creek Music Camp, October 2014

(‘Bacon Rind’, YouTube video, 1:25. Published by Wayne Grabowski, Oct 13, 2014. https://www.youtube.com/watch?v=Y58B5H-maPc)

 

Greg Canote (fiddle), Candy Goldman (banjo), Jere Canote (guitar)

Recorded at the Seattle Stringband class, April 2014

 

Canote Brotherswebsite  (move the radio dial to search!) and Seattle Stringband class

Maya Whitmont’s compilation of audio tracks and banjo tabs from the Seattle class here

*Digital Library of Appalachia/Berea College Southern Appalachian Archives:  website

 

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Filed under American old-time, American old-time/traditional, American traditional, Uncategorized

Georgia Row

 

Monday already? So what better way to start the week than with this breezy Old Timey/Ragtimey tune – originally from renowned Uncle Charlie OsborneVirginia fiddler ‘Uncle’ Charlie Osborne (1890-1992), who played left-handed on a conventional right-handed fiddle, and was famous for his fiddling from the age of 15 until his death at the age of 101.

First up, Adam Hurt and Beth Williams Hartness lay out a jaunty, fluid version at dance speed, along with some great banjo ornamentations over subtle fingerstyle guitar. The second video – a slightly slower rendering showcasing the fiddle’s double-stopping and dulcitar/strumstick fingering – is by Danish Old Time afficionados The Deleuran Enevoldsen Duo, who learned the tune from a recording of Uncle Charlie Osborne.

And of course, Georgia Row makes a great pair with a previous Old Time Fiddletails post, Too Many Days in Georgia.

Have a happy week, everyone!

 

Adam Hurt (banjo), Beth Williams Hartness (guitar)

Recorded at the Washington, DC studios of radio station WAMU’s Bluegrass Country.

(‘Adam Hurt & Beth Williams Hartness – Georgia Row [live at WAMU’s Bluegrass Country]’, YouTube video, 3:07. Posted by  WAMU’s Bluegrass Country 105.5, 21 Apr 2013. https://www.youtube.com/watch?v=N52oZyhOWSg)

 

Deleuran Enevoldsen Duo

Tobias Enevoldsen (fiddle), Jesper Deleuran (strumstick/dulcitar)

(‘Georgia Row’, YouTube video, 4:00. Posted by The Deleuran Enevoldsen Duo, 16 Apr 2010. https://www.youtube.com/watch?v=keVVoca12U4)

 

For more information on gigs, CDs, videos etc:

Adam Hurt:  website  Facebook

Beth Williams Hartness:  Facebook

Deleuran Enevoldsen Duo:  website  Big Hungry Joe

Jesper Deleuran:  YouTube

 

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Filed under American old-time, American traditional, Uncategorized

Folk Music Retreat with Laurel Swift

Street, Somerset

7-9 October 2016

Street retreat

Just a few places left on this first event in Laurel Swift’s 2016-2017 varied teaching programme – a multi-instrumental weekend retreat with the emphasis on developing ensemble skills alongside individual playing and musicianship. Expect dynamic, inspirational teaching in great company, fuelled by wonderful food and drink in glorious country settings.

Oh, and you’ll need to pack walking boots with your instruments!

Glast Tor

Full details and booking here.

For Laurel’s full programme of retreats, workshops and classes, see the Teaching menu on her website.

 

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Filed under English folk/modern, English folk/traditional, Uncategorized

Bill Malley’s Barndance

 

An Old Time playing of an Irish tune by fiddler Bill Malley of County Clare, Ireland – first in a set with a stonking rendering of the upbeat E-B-E Reel, composed by Irish-American fiddler Liz Carroll.

As well as additional notes on these musicians and tunes, video-poster secondcousincurly writes a fascinating piece here on the importance of fiddle camps to American traditional music.

 

Brittany Haas, Lily Henley, Duncan Winkel, Kellen Zakula (fiddles), Natalie Haas (cello), Rene del Fierro (guitar)

This set was the encore at a private notloB Parlour Concert in Watertown, Massachusetts. Note Brittany Haas’s five-string fiddle!

 

(‘BRITTANY HAAS & FRIENDS: Bill Malley’s Barndance & E-B-E Reel’, YouTube video 6.59. Posted by secondcousincurly, 28 Aug 2013. https://www.youtube.com/watch?v=XMf4IjPoJJY)

 

Brittany Haas  website   Facebook

Natalie Haas  Website   Facebook

Lily Henley  website   Facebook

Duncan Winkel   Facebook  Duo with Lily Henley

Kellen Zakula  Bandcamp   Facebook

Rene del Fierro  Instagram  BandMINE

 

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Filed under American old-time, American old-time/modern, Uncategorized

Clark’s Hornpipe

 

First, a Stop Press Gig Alert! 

Tomorrow, Friday 3 June 2016, 7 pm

Alma-848x400ALMA    Emily Askew, John Dipper, Adrian Lever

CD launch at London’s historic and gorgeous Foundling Museum.

Tickets and details:  The Foundling Museum

And if we’re very lucky, they may play…

…Clark’s Hornpipe

In eighteenth-century England, the two John Walshes*, father and son, dominated music publishing. John Walsh Snr was printing engraved music on The Strand, London, by 1690, and later John Walsh Jnr won what we would now call ‘exclusive rights’ to Handel’s music. WalshHandelSonatas1732Cover

Clark’s was first published in the Walshes’ 1730 tunes collection, under the snappy title The Third Book of the most celebrated jiggs, Lancashire hornpipes, Scotch and Highland lilts, Northern frisks, Morris’s and Cheshire rounds with hornpipes the bagpipe manner, to which is added the Black Joak, the White Joak, the Brown,, the Red, and the Yellow Joaks. With variety of whims and fancies of diff’rent humour, fitted to the genious of publick performers.

Perhaps they took editorial advice, or wanted to pay their engraver less,  but the reprint title shrank to Three Extraordinary Collections, Early 18th century dance music for those who play publick.

Well, ‘those who play publick’ are still playing the Walshes’ tunes – and this particular hornpipe is one of my favourites.

 

Alma

Emily Askew (fiddle), John Dipper (fiddle), Nicola Lyons (fiddle), Adrian Lever (guitar)

Gorgeously textured performance by the London-based fiddle group at Sidmouth Folk Week 2015.

 

(‘Clark’s Hornpipe at The Ham Marquee’, YouTube video, 1.50. Posted by Alma Fiddles, 10 Aug 2015. https://www.youtube.com/watch?v=0aFPA7bo57o)

 

Boldwood

Becky Price (accordion), Tim Perkins (bouzouki/guitar), Richard Heacock (fiddle/viola), Daniel Wolverson (fiddle/viola)

This utterly danceable version is from the group’s 2008 album Feet, Don’t Fail Me Now, available on Spotify (the link is to the full album; it seems impossible to link to the single tune). You can find the sheet music for the tune in their first collection of English and Welsh country dance tunes The Boldwood Dancing Master, available from their website (see below).

FeetDontFail

 

Alma Fiddles:  website  Facebook  Twitter

Boldwood:  website  Facebook

*Read more about the Walshes on Wikipedia and folkopedia (scroll down)

 

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Filed under English folk/traditional, European traditional, Nordic traditional, Uncategorized

May Day Weekend gig alerts!

Gadarene and Dipper Malkin

Two great London gigs a stone’s throw from Kings Cross, with Fiddletails-featured musicians as you’ve probably never seen them before!

 

Gadarene

Kings Place, Friday 29 April, 10-11.15 pm

Info and tickets here  (Note late performance times – but Kings Place is only a short walk from Kings Cross tube.)

Fiddler Laurel Swift clogs and swings double bass in this extraordinary band playing ‘ultra-modern ancient music that’s wild enough to dance to! Gadarene transform obscure English 18th and 19th-century tunes with arrangements drawing on styles from funk and reggae to electronic and trance. With clogs and drums, mandolin, double bass, fiddle and flute, the band celebrate the release of their new CD’.

Audio showreel:

Gadarene:  website

(Laurel Swift previously featured in posts Ben & Laurel 28 May 2015, and Idbury Hill audio teaching track 22 Aug 2015)

 

Dipper Malkin

The Harrison, Sunday 1 May, 8-11 pm

Info and tickets here

Fiddler/viola d’amore player John Dipper joins forces with guitarist/singer Dave Malkin in a subtle and intriguing new duo.

Promotional video:

Dipper MalkinFacebook

(John Dipper previously featured in Oss 18 Sept 2015)

 

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Filed under English folk/modern, English folk/traditional, Uncategorized

Stop press! Multi-instrumental folk music retreat

Folk Music Retreat with Laurel Swift

April 8th – 10th 2016

Thurlby, Lincolnshire

 

Just a few places left on this amazingly good workshop with fiddler/composer/dancer Laurel Swift. Fabulous teaching, playing and walking (and food!) in an unspoilt Lincolnshire village – the kind of weekend where you play your socks off and go home feeling as though you’ve had a week’s holiday.

Thurlby

Don’t forget your walking shoes as well as your instrument/s!

 

Full details and booking on Laurel’s website

 

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Filed under English folk/modern, English folk/traditional

Great Uncle Henry

 

Fiddler Emma Reid’s composition Great Uncle Henry, played with Rob Harbron’s Waiting For Rain in a set of memorable tunes from the duo’s subtle, engaging album Flock & Fly.

But first…

Gig Alert!

Rob Harbron & Emma Reid play London’s Green Note

Monday 4 April

Details and booking here.

 

Rob Harbron (concertina), Emma Reid (viola)

 

 

You can hear and buy Flock & Fly on Bandcamp here, or by clicking on the player links above.

Rob Harbron:  website  Twitter

Emma Reid:  website

 

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Filed under English folk/modern, English folk/traditional, Nordic traditional, Uncategorized

Old Time Billy in the Lowground

 

A great tune that deserves to be more widely known, this quirkily crooked melody was played in Franklin County, Kentucky, in the 19th century, and predates the better-known bluegrass tune that most people know as Billy In The Lowground*. The tag ‘Old Time’ was added to this version to avoid confusion with the later 20th century tune which had ‘borrowed’ the title. The origins of the title are widely debated online, with some relating it to William of Orange, others to Bonaparte or the Devil.

523px-Map_of_Kentucke_(1784)_color

I’m posting two videos by the irrepressible Canote brothers Jere and Greg: a full-on concert performance at speed, followed by a slightly slower version where Greg’s amazing fingering is more visible. Then there’s an old recording of Franklin County, Kentucky fiddler Kelly Gilbert (1895-1991), who learnt the tune from his local mentor Lewis Goins. And to finish off, a slower teaching session audio from the Canotes’ Seattle string band class to help tunecatchers nail the tune.

Played in G, in standard fiddle tuning GDAE. Dots to this version are available on the great website Old Time Fiddle Tunes, and there’s a banjo tab here.

(*For the more common version of the tune, played Old Time style, see my very first Fiddletails post in May 2015 – Anna & Elizabeth’s great video here)

 

Greg Canote (fiddle), Jere Canote (guitar), Brendan Doyle (banjo)

The Canotes take the stage with banjo player Brendan Doyle at a Fiddle Tunes Showcase Concert in 2009.

 

(‘Fiddle Tunes 2009 The Canotes playing “Old Time Billy in the Low Ground”’ YouTube video, 2.29. Posted by Randi Leach, 6 Jul 2009. https://www.youtube.com/watch?v=GBdWeXXzj8Q)

 

Greg Canote (fiddle), Jere Canote (guitar)

Filmed during a teaching workshop at the American Banjo Camp 2009, Fort Flagler, Washington state.

 

(‘Greg & Jere Canote at the American Banjo Camp, 2009’ YouTube video 1.23. Posted by Peter Langston, 30 Sep 2009. https://www.youtube.com/watch?v=SutKB9NO3i4)

 

Kelly Gilbert (fiddle)

Recorded by John Harrod in June 1978.

Kelly Gilbert

 

(From the Appalachian Center Collection, Berea College Southern Appalachian Archives, John Harrod Collection.)

Hear the full Kelly Gilbert recordings here)

 

Greg (fiddle), Jere (guitar), Candy Goldman (banjo)

Slower teaching audio file of the Canotes and Candy Goldman playing, made for their Seattle stringband class.

 

 

 

For more tunes taught at the Canotes’ Seattle class, see Maya Whitmont’s astonishing archive of audio files and banjo tabs here

 Greg and Jere Canote: find out more about the Canote Brothers, including albums, gigs, and the Seattle stringband class, on their website

 For even more great tunes, see Peter Langston’s American Banjo Camp and other music videos on his YouTube channel

American Banjo Camp: 9-11 September 2016, near Seattle, Washington State. ‘87 classes, 23 scheduled jams, 2 concerts, 6 meals, 2 late-night snacks, and 2 optional sleep periods, all compressed into 50 hours!’ And it’s not just for banjos!

 

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Filed under American old-time, American traditional, Uncategorized