Just a few places left on this amazingly good workshop with fiddler/composer/dancer Laurel Swift. Fabulous teaching, playing and walking (and food!) in an unspoilt Lincolnshire village – the kind of weekend where you play your socks off and go home feeling as though you’ve had a week’s holiday.
Don’t forget your walking shoes as well as your instrument/s!
Originating in the Irish reel known as John Stenson’s No.2*, this lovely tune has made the transition to a new identity in America’s Old Time tradition, where it’s mostly played as a mountain dulcimer tune.
Here are two takes by fiddler Rachel Eddy and friends: video from a yard concert (played first, followed around 5:10 by a stonking rendition of Dance All Night with a Bottle in your Hand); and a rousing audio recording from Rachel’s Stockholm Old Time session.
Rachel Eddy (fiddle), Kristian Herner (banjo), Bill Fahy (guitar)
*The original tune was composed by accordion player John Stenson, of Co. Sligo, Ireland. There’s basic tune audio on The Session here, along with information (scroll down) on its popularity from acclaimed Irish fiddler Kevin Burke’s album If The Cap Fits.
A great tune that deserves to be more widely known, this quirkily crooked melody was played in Franklin County, Kentucky, in the 19th century, and predates the better-known bluegrass tune that most people know as Billy In The Lowground*. The tag ‘Old Time’ was added to this version to avoid confusion with the later 20th century tune which had ‘borrowed’ the title. The origins of the title are widely debated online, with some relating it to William of Orange, others to Bonaparte or the Devil.
I’m posting two videos by the irrepressible Canote brothers Jere and Greg: a full-on concert performance at speed, followed by a slightly slower version where Greg’s amazing fingering is more visible. Then there’s an old recording of Franklin County, Kentucky fiddler Kelly Gilbert (1895-1991), who learnt the tune from his local mentor Lewis Goins. And to finish off, a slower teaching session audio from the Canotes’ Seattle string band class to help tunecatchers nail the tune.
Played in G, in standard fiddle tuning GDAE. Dots to this version are available on the great website Old Time Fiddle Tunes, and there’s a banjo tab here.
(*For the more common version of the tune, played Old Time style, see my very first Fiddletails post in May 2015 – Anna & Elizabeth’s great video here)
Slower teaching audio file of the Canotes and Candy Goldman playing, made for their Seattle stringband class.
For more tunes taught at the Canotes’ Seattle class, see Maya Whitmont’s astonishing archive of audio files and banjo tabs here
Greg and Jere Canote: find out more about the Canote Brothers, including albums, gigs, and the Seattle stringband class, on their website
For even more great tunes, see Peter Langston’s American Banjo Camp and other music videos on his YouTube channel
American Banjo Camp: 9-11 September 2016, near Seattle, Washington State. ‘87 classes, 23 scheduled jams, 2 concerts, 6 meals, 2 late-night snacks, and 2 optional sleep periods, all compressed into 50 hours!’ And it’s not just for banjos!
‘We’re very excited to be playing at this amazing venue and we hope that people will tune in all over the world. Please help us spread the word about it and get in touch to let us know you’re watching it’
Every couple of weeks or so I feature a tune that's caught my fancy – audio/video clips of brilliant musicians playing great, perhaps uncommon tunes to learn by ear. Most are from the English and American Old-time traditions; some hail from other musical worlds ‒ Scandi, perhaps, or French. But whatever you play ‒ fiddles or frets, free-reeds or fipples ‒ I hope you enjoy catching these wonderful tunes!