Hurdy-gurdy maestro Nigel Eaton’s haunting evocation of this ancient European wader, a frequenter of marshes and estuaries. A 3/8 bourée, he wonders…? Sounds good to me.
Nigel Eaton (hurdy-gurdy)
Played on a hurdy-gurdy made by his father, Chris Eaton.
(‘Curlew’, YouTube video 4:12. Posted by Nigel, 2 Mar 2014. https://www.youtube.com/watch?v=kcg6D_fQMUQ)
Nigel Eaton: Soundcloud YouTube
Nigel Eaton, cabinetmaker: website
Chris Eaton, maker of hurdy-gurdies: website
Filed under English folk/modern, English folk/traditional
An Old Time playing of an Irish tune by fiddler Bill Malley of County Clare, Ireland – first in a set with a stonking rendering of the upbeat E-B-E Reel, composed by Irish-American fiddler Liz Carroll.
As well as additional notes on these musicians and tunes, video-poster secondcousincurly writes a fascinating piece here on the importance of fiddle camps to American traditional music.
Brittany Haas, Lily Henley, Duncan Winkel, Kellen Zakula (fiddles), Natalie Haas (cello), Rene del Fierro (guitar)
This set was the encore at a private notloB Parlour Concert in Watertown, Massachusetts. Note Brittany Haas’s five-string fiddle!
(‘BRITTANY HAAS & FRIENDS: Bill Malley’s Barndance & E-B-E Reel’, YouTube video 6.59. Posted by secondcousincurly, 28 Aug 2013. https://www.youtube.com/watch?v=XMf4IjPoJJY)
Brittany Haas website Facebook
Duncan Winkel Facebook Duo with Lily Henley
Kellen Zakula Bandcamp Facebook
Rene del Fierro Instagram BandMINE
First, a Stop Press Gig Alert!
Tomorrow, Friday 3 June 2016, 7 pm
ALMA Emily Askew, John Dipper, Adrian Lever
CD launch at London’s historic and gorgeous Foundling Museum.
Tickets and details: The Foundling Museum
And if we’re very lucky, they may play…
…Clark’s Hornpipe
In eighteenth-century England, the two John Walshes*, father and son, dominated music publishing. John Walsh Snr was printing engraved music on The Strand, London, by 1690, and later John Walsh Jnr won what we would now call ‘exclusive rights’ to Handel’s music. 
Clark’s was first published in the Walshes’ 1730 tunes collection, under the snappy title The Third Book of the most celebrated jiggs, Lancashire hornpipes, Scotch and Highland lilts, Northern frisks, Morris’s and Cheshire rounds with hornpipes the bagpipe manner, to which is added the Black Joak, the White Joak, the Brown,, the Red, and the Yellow Joaks. With variety of whims and fancies of diff’rent humour, fitted to the genious of publick performers.
Perhaps they took editorial advice, or wanted to pay their engraver less, but the reprint title shrank to Three Extraordinary Collections, Early 18th century dance music for those who play publick.
Well, ‘those who play publick’ are still playing the Walshes’ tunes – and this particular hornpipe is one of my favourites.
Alma
Emily Askew (fiddle), John Dipper (fiddle), Nicola Lyons (fiddle), Adrian Lever (guitar)
Gorgeously textured performance by the London-based fiddle group at Sidmouth Folk Week 2015.
(‘Clark’s Hornpipe at The Ham Marquee’, YouTube video, 1.50. Posted by Alma Fiddles, 10 Aug 2015. https://www.youtube.com/watch?v=0aFPA7bo57o)
Boldwood
Becky Price (accordion), Tim Perkins (bouzouki/guitar), Richard Heacock (fiddle/viola), Daniel Wolverson (fiddle/viola)
This utterly danceable version is from the group’s 2008 album Feet, Don’t Fail Me Now, available on Spotify (the link is to the full album; it seems impossible to link to the single tune). You can find the sheet music for the tune in their first collection of English and Welsh country dance tunes The Boldwood Dancing Master, available from their website (see below).
Alma Fiddles: website Facebook Twitter
*Read more about the Walshes on Wikipedia and folkopedia (scroll down)
Jenny Glover's FIDDLETAILS 