An attempt to conjure a golden September from this year’s grey English summer – if we all play it like mad, the sun will come out!
My beautiful namesake tune is from Playford’s Dancing Master of 1651. Two very different arrangements – it is traditionally played with the A and B parts in different time signatures. And (might have guessed!) any tune involving women and fruit had sexual connotations. Who knew…
Andy Cutting (melodeon), Rob Harbron (concertina), Sam Sweeney (fiddle)
The tune is on Leveret’s 2015 CD New Anything, available from their website.
Leveret are touring in the UK in October – starting with a gem of a format: an acoustic set, performed in the round. Cecil Sharp House, 1 October. Details and booking here. Don’t miss it! Full tour dates here (scroll down to Gigs/Autumn Tour 2015).
Andy Cutting (diatonic button accordion, triangle), Jo Freya (vocals, clarinet, bass clarinet, soprano and tenor saxophones, whistle), Paul James (border bagpipes, soprano and alto saxophones, whistle), Gregory Jolivet (alto hurdy-gurdy), Dave Shepherd (violin, octave violin), Barn Stradling (acoustic bass guitar, octave bass guitar), Jon Swayne (border bagpipes, soprano and alto saxophones)
Played here with the traditional time-changes, first in a set with Half Hanniken
For upcoming gigs, band news and recordings, go to Blowzabella’s website here.