Originally a bawdy ballad, there are two basic versions of this Appalachian Kentucky tune, some more crooked than others. I love Premo & Gustavsson’s rendering for the hauntingly off-world sounds from their uncommon pairing of indigenous Swedish and American folk instruments.
This version of the melody is usually played in Dm, but here it’s in Am. Fiddlers generally play it cross-tuned*. Laurel Premo says of her gourd banjo: ‘I use a version of the “double c” tuning. The gourd banjo is a few steps lower from the standard banjo tuning, but the relationships on the strings are the same as you’d find in double C.’
The tune has an interesting thread on banjohangout
*For more information on cross-tuning, see post Newt Payne’s Tune, and/or Search ‘cross-tuning’ to find other cross-tuned melodies.
Premo & Gustavsson
Laurel Premo (gourd banjo), Anna Gustavsson (nyckelharpa)
The duo will be releasing an album this autumn – and I’ll be featuring a tune from it as soon as it’s available.
In the meantime, you can find out more about their many other projects here:
Laurel Premo:website (Fiddletails has also featured Laurel’s acclaimed duo Red Tail Ring – use the Search box to find posts of their compelling music.)
Andy Fitzgibbon teaches a lively 3-part, crooked Kentucky tune as played by fiddler William Hamilton Stepp in 1937. The fiddle is cross-tuned AEAE, giving that characteristic Old Time ring from the sympathetic drone strings. (More on Bill Stepp and cross-tuning below.)
Andy Fitzgibbon (fiddle)
Teaching video for the 2014 Cowan Creek Mountain Music School advanced fiddle class.
‘Fiddler Bill’ Stepp (1845–1947), of Magoffin County, Kentucky, was the last fiddler to be captured on disc machine by Alan and Elizabeth Lomax during their Kentucky song-collecting expedition. He was a close friend of fiddler John Salyer (see ‘Last of Harris’).
Just a few places left on this amazingly good workshop with fiddler/composer/dancer Laurel Swift. Fabulous teaching, playing and walking (and food!) in an unspoilt Lincolnshire village – the kind of weekend where you play your socks off and go home feeling as though you’ve had a week’s holiday.
Don’t forget your walking shoes as well as your instrument/s!
Originating in the Irish reel known as John Stenson’s No.2*, this lovely tune has made the transition to a new identity in America’s Old Time tradition, where it’s mostly played as a mountain dulcimer tune.
Here are two takes by fiddler Rachel Eddy and friends: video from a yard concert (played first, followed around 5:10 by a stonking rendition of Dance All Night with a Bottle in your Hand); and a rousing audio recording from Rachel’s Stockholm Old Time session.
Rachel Eddy (fiddle), Kristian Herner (banjo), Bill Fahy (guitar)
(‘John Stinsons Number Two – Rachel Eddy, Kristian Herner, and Bill Fahy’ YouTube video, 8.45. Posted by Bill Fahy, 8 Jul 2010. https://www.youtube.com/watch?v=sAvyBV9FFCY)
Rachel Eddy (fiddle), and the players of the Happy Wednesday Oldtime Jam, Stockholm, Sweden
*The original tune was composed by accordion player John Stenson, of Co. Sligo, Ireland. There’s basic tune audio on The Session here, along with information (scroll down) on its popularity from acclaimed Irish fiddler Kevin Burke’s album If The Cap Fits.
A great tune that deserves to be more widely known, this quirkily crooked melody was played in Franklin County, Kentucky, in the 19th century, and predates the better-known bluegrass tune that most people know as Billy In The Lowground*. The tag ‘Old Time’ was added to this version to avoid confusion with the later 20th century tune which had ‘borrowed’ the title. The origins of the title are widely debated online, with some relating it to William of Orange, others to Bonaparte or the Devil.
I’m posting two videos by the irrepressible Canote brothers Jere and Greg: a full-on concert performance at speed, followed by a slightly slower version where Greg’s amazing fingering is more visible. Then there’s an old recording of Franklin County, Kentucky fiddler Kelly Gilbert (1895-1991), who learnt the tune from his local mentor Lewis Goins. And to finish off, a slower teaching session audio from the Canotes’ Seattle string band class to help tunecatchers nail the tune.
Played in G, in standard fiddle tuning GDAE. Dots to this version are available on the great website Old Time Fiddle Tunes, and there’s a banjo tab here.
(*For the more common version of the tune, played Old Time style, see my very first Fiddletails post in May 2015 – Anna & Elizabeth’s great video here)
The Canotes take the stage with banjo player Brendan Doyle at a Fiddle Tunes Showcase Concert in 2009.
(‘Fiddle Tunes 2009 The Canotes playing “Old Time Billy in the Low Ground”’ YouTube video, 2.29. Posted by Randi Leach, 6 Jul 2009. https://www.youtube.com/watch?v=GBdWeXXzj8Q)
Greg Canote (fiddle), Jere Canote (guitar)
Filmed during a teaching workshop at the American Banjo Camp 2009, Fort Flagler, Washington state.
Slower teaching audio file of the Canotes and Candy Goldman playing, made for their Seattle stringband class.
For more tunes taught at the Canotes’ Seattle class, see Maya Whitmont’s astonishing archive of audio files and banjo tabs here
Greg and Jere Canote: find out more about the Canote Brothers, including albums, gigs, and the Seattle stringband class, on their website
For even more great tunes, see Peter Langston’s American Banjo Camp and other music videos on his YouTube channel
American Banjo Camp: 9-11 September 2016, near Seattle, Washington State. ‘87 classes, 23 scheduled jams, 2 concerts, 6 meals, 2 late-night snacks, and 2 optional sleep periods, all compressed into 50 hours!’ And it’s not just for banjos!
Just a few places left on this wonderful multi-instrumental folk weekend. Inspiring classes, home-cooked food, informal sessions and country walks in the Fens. And don’t forget your walking shoes/boots!
Details and bookinghere (book by 14 February for reduced rate!)
Every couple of weeks or so I feature a tune that's caught my fancy – audio/video clips of brilliant musicians playing great, perhaps uncommon tunes to learn by ear. Most are from the English and American Old-time traditions; some hail from other musical worlds ‒ Scandi, perhaps, or French. But whatever you play ‒ fiddles or frets, free-reeds or fipples ‒ I hope you enjoy catching these wonderful tunes!
