Tag Archives: 18th century English

Whitehall Minuet

 

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Whitehall Palace, London

 

This lovely tune is named for the Palace of White Hall, which had grown larger than Versailles or the Vatican by the time it was almost entirely destroyed by fire in 1698.

The Whitehall Minuet was published in 1709 by John Young in his tunebook Dancing Master, and in John Walsh’s Compleat Country Dancing Master, 1718.

Hare’s Maggot and French Morris, the ‘set’ partners to the minuet in the two very different renderings below, are both Playford tunes from 1701.

I’ve always understood that ‘maggot’ in a title means a tune that sticks in your head – an ear-worm. But I see from the wonderful Traditional Tune Archive that although the word can mean a dram (a liquid measure), ‘the musical meaning may stem from the word’s derivation from the Italian word maggioletta, or a plaything’.

 

The Askew Sisters

Emily Askew (fiddle), Hazel Askew (melodeon)

From a 2014 performance at TwickFolk, Twickenham, Middlesex, UK. The set is also on their CD In the Air or the Earth.

(‘The Askew Sisters – The Whitehall Minuet and Hare’s Maggot’, YouTube video, 5:10. Published by Eugey Baby, 15 Oct 2014. https://www.youtube.com/watch?v=guZEJy_ggRQ)

 

Boldwood

Becky Price (accordion), Miranda Rutter (fiddle, viola), Matthew Coatsworth (fiddle, viola)

From the acclaimed but unreleased 2012 album Mudlarking. Whitehall Minuet starts at 1:41.

(https://soundcloud.com/boldwood/06-french-morris-whitehall)

 

GIG ALERTS!

Askew Sisters:  this coming Monday 19 September, at London’s Green Note, Camden. Last few tickets here!

Boldwood:  Saturday 15 October, St Peter’s Church, Wolvercote, Oxford. Tickets: info@stpeterswolvercote.org  or 01865 559316

 

For more information on CDs, gigs etc:

Askew Sisters:  website   facebook

Boldwood:  website   facebook

 

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Workshop alert: Creative Music Retreat

 

Folk Retreat with Laurel Swift

8-10 April, Thurlby, Lincolnshire

 

Just a few places left on this wonderful multi-instrumental folk weekend. Inspiring classes, home-cooked food, informal sessions and country walks in the Fens. And don’t forget your walking shoes/boots!

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Details and booking here (book by 14 February for reduced rate!)

 

For  music by Laurel, see her website, Laurel fiddle

or use the Fiddletails Search (above right)

 

 

 

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GIG ALERT! TRIO GOYA

 

TRIO GOYA: ‘THE HEART OF INVENTION’

SUNDAY 4 OCTOBER, doors 5.30 for 6pm

20th Century Theatre, 291 Westbourne Grove, London W11 2QA.

Info/tickets: https://www.wegottickets.com/event/332079

 

Trio Goya

Maggie Cole (fortepiano), Kati Debretzeni (violin), Sebastian Comberti (cello)

 

My all-time favourite non-traditional ‘band’.triogoya2

Trio Goya play Classical chamber music on period instruments… a collective fascination with the new colours and narratives that these instruments suggest…’ says the website.

In fact, they are one of those dynamic, fluid bands/groups/ensembles who play out of intense mutual listening, so that you’re drawn right into the heart of the music. One of the things I love about them is that you can often hear the common-or-garden dance roots in their classical pieces – a touch of the street from a time when music was music, and not cordoned off into discrete disciplines.

Fantastic musicianship from three truly great players – and a real treat for Fiddletails fiddle-followers in violinist Kati Debretzeni’s magical playing.

A rare  London performance – do go if you possibly can!

 

 

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The Miller of Perth

Boldwood play mainly forgotten tunes from 18th century England, painstakingly researched and liberated from lost manuscripts and the extraordinary (to us) phenomenon of dance fans. This 3/2 hornpipe was discovered by Becky Price in an unpublished handwritten manuscript in the British Library.

 

Boldwood

Becky Price (accordion), Miranda Rutter (fiddle, viola), Matthew Coatsworth (fiddle, viola)

 

(From Boldwood’s 2012 unreleased second album Mudlarking, available on Soundcloud here.)

 

Boldwood-Dancing-Master-front-cover-300x210The dots for The Miller of Perth are published in The Boldwood Dancing Master, available from the Boldwood website – along with a brilliant new CD – and also on  Matthew Coatsworth’s fascinating website ‘English and French Music: an online manuscript’.

For more information and another great Boldwood tune, see Fiddletails post Jackson’s Shaving Brush (June 2015).

 

 

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