Category Archives: Uncategorized

Bill Malley’s Barndance

 

An Old Time playing of an Irish tune by fiddler Bill Malley of County Clare, Ireland – first in a set with a stonking rendering of the upbeat E-B-E Reel, composed by Irish-American fiddler Liz Carroll.

As well as additional notes on these musicians and tunes, video-poster secondcousincurly writes a fascinating piece here on the importance of fiddle camps to American traditional music.

 

Brittany Haas, Lily Henley, Duncan Winkel, Kellen Zakula (fiddles), Natalie Haas (cello), Rene del Fierro (guitar)

This set was the encore at a private notloB Parlour Concert in Watertown, Massachusetts. Note Brittany Haas’s five-string fiddle!

 

(‘BRITTANY HAAS & FRIENDS: Bill Malley’s Barndance & E-B-E Reel’, YouTube video 6.59. Posted by secondcousincurly, 28 Aug 2013. https://www.youtube.com/watch?v=XMf4IjPoJJY)

 

Brittany Haas  website   Facebook

Natalie Haas  Website   Facebook

Lily Henley  website   Facebook

Duncan Winkel   Facebook  Duo with Lily Henley

Kellen Zakula  Bandcamp   Facebook

Rene del Fierro  Instagram  BandMINE

 

Leave a comment

Filed under American old-time, American old-time/modern, Uncategorized

Clark’s Hornpipe

 

First, a Stop Press Gig Alert! 

Tomorrow, Friday 3 June 2016, 7 pm

Alma-848x400ALMA    Emily Askew, John Dipper, Adrian Lever

CD launch at London’s historic and gorgeous Foundling Museum.

Tickets and details:  The Foundling Museum

And if we’re very lucky, they may play…

…Clark’s Hornpipe

In eighteenth-century England, the two John Walshes*, father and son, dominated music publishing. John Walsh Snr was printing engraved music on The Strand, London, by 1690, and later John Walsh Jnr won what we would now call ‘exclusive rights’ to Handel’s music. WalshHandelSonatas1732Cover

Clark’s was first published in the Walshes’ 1730 tunes collection, under the snappy title The Third Book of the most celebrated jiggs, Lancashire hornpipes, Scotch and Highland lilts, Northern frisks, Morris’s and Cheshire rounds with hornpipes the bagpipe manner, to which is added the Black Joak, the White Joak, the Brown,, the Red, and the Yellow Joaks. With variety of whims and fancies of diff’rent humour, fitted to the genious of publick performers.

Perhaps they took editorial advice, or wanted to pay their engraver less,  but the reprint title shrank to Three Extraordinary Collections, Early 18th century dance music for those who play publick.

Well, ‘those who play publick’ are still playing the Walshes’ tunes – and this particular hornpipe is one of my favourites.

 

Alma

Emily Askew (fiddle), John Dipper (fiddle), Nicola Lyons (fiddle), Adrian Lever (guitar)

Gorgeously textured performance by the London-based fiddle group at Sidmouth Folk Week 2015.

 

(‘Clark’s Hornpipe at The Ham Marquee’, YouTube video, 1.50. Posted by Alma Fiddles, 10 Aug 2015. https://www.youtube.com/watch?v=0aFPA7bo57o)

 

Boldwood

Becky Price (accordion), Tim Perkins (bouzouki/guitar), Richard Heacock (fiddle/viola), Daniel Wolverson (fiddle/viola)

This utterly danceable version is from the group’s 2008 album Feet, Don’t Fail Me Now, available on Spotify (the link is to the full album; it seems impossible to link to the single tune). You can find the sheet music for the tune in their first collection of English and Welsh country dance tunes The Boldwood Dancing Master, available from their website (see below).

FeetDontFail

 

Alma Fiddles:  website  Facebook  Twitter

Boldwood:  website  Facebook

*Read more about the Walshes on Wikipedia and folkopedia (scroll down)

 

Leave a comment

Filed under English folk/traditional, European traditional, Nordic traditional, Uncategorized

Sally In The Garden

 

Originally a bawdy ballad, there are two basic versions of this Appalachian Kentucky tune, some more crooked than others. I love Premo & Gustavsson’s rendering for the hauntingly off-world sounds from their uncommon pairing of indigenous Swedish and American folk instruments.

This version of the melody is usually played in Dm, but here it’s in Am. Fiddlers generally play it cross-tuned*. Laurel Premo says of her gourd banjo: ‘I use a version of the “double c” tuning. The gourd banjo is a few steps lower from the standard banjo tuning, but the relationships on the strings are the same as you’d find in double C.’

The tune has an interesting thread on banjohangout

*For more information on cross-tuning, see post Newt Payne’s Tune, and/or Search ‘cross-tuning’ to find other cross-tuned melodies.

 

Premo & Gustavsson

Laurel Premo (gourd banjo), Anna Gustavsson (nyckelharpa)

 

(‘Sally In The Garden – Premo & Gustavsson’ YouTube video, 4.06. Posted by Laurel Premo, 24 Aug 2015. https://www.youtube.com/watch?v=0PXxOnmAnDg)

 

Album alert!

The duo will be releasing an album this autumn – and I’ll be featuring a tune from it as soon as it’s available.

In the meantime, you can find out more about their many other projects here:

Laurel Premo:  website  (Fiddletails has also featured Laurel’s acclaimed duo Red Tail Ring – use the Search box to find posts of their compelling music.)

Anna Gustavsson:  website

 

2 Comments

Filed under American old-time, American traditional, Uncategorized

May Day Weekend gig alerts!

Gadarene and Dipper Malkin

Two great London gigs a stone’s throw from Kings Cross, with Fiddletails-featured musicians as you’ve probably never seen them before!

 

Gadarene

Kings Place, Friday 29 April, 10-11.15 pm

Info and tickets here  (Note late performance times – but Kings Place is only a short walk from Kings Cross tube.)

Fiddler Laurel Swift clogs and swings double bass in this extraordinary band playing ‘ultra-modern ancient music that’s wild enough to dance to! Gadarene transform obscure English 18th and 19th-century tunes with arrangements drawing on styles from funk and reggae to electronic and trance. With clogs and drums, mandolin, double bass, fiddle and flute, the band celebrate the release of their new CD’.

Audio showreel:

Gadarene:  website

(Laurel Swift previously featured in posts Ben & Laurel 28 May 2015, and Idbury Hill audio teaching track 22 Aug 2015)

 

Dipper Malkin

The Harrison, Sunday 1 May, 8-11 pm

Info and tickets here

Fiddler/viola d’amore player John Dipper joins forces with guitarist/singer Dave Malkin in a subtle and intriguing new duo.

Promotional video:

Dipper MalkinFacebook

(John Dipper previously featured in Oss 18 Sept 2015)

 

Leave a comment

Filed under English folk/modern, English folk/traditional, Uncategorized

Ways of the World

 

Andy Fitzgibbon teaches a lively 3-part, crooked Kentucky tune as played by fiddler William Hamilton Stepp in 1937. The fiddle is cross-tuned AEAE, giving that characteristic Old Time ring from the sympathetic drone strings. (More on Bill Stepp and cross-tuning below.)

 

Andy Fitzgibbon (fiddle)

Teaching video for the 2014 Cowan Creek Mountain Music School advanced fiddle class.

 

(‘Bill Stepp’s Ways of the World – Andy FitzGibbon’ YouTube video, 2.31. Posted by Andrew Fitzgibbon, 8 Sep 2015. https://www.youtube.com/watch?v=Cm7ckNRuiX0)

 

fhofstepp2William Stepp (fiddle)

‘Fiddler Bill’ Stepp (18451947), of Magoffin County, Kentucky, was the last fiddler to be captured on disc machine by Alan and Elizabeth Lomax during their Kentucky song-collecting expedition. He was a close friend of fiddler John Salyer (see ‘Last of Harris’).

 

 

(From the Appalachian Center Collection, Berea College Southern Appalachian Archives. Hear the full Stepp recordings at: http://digital.berea.edu/cdm/search/searchterm/Stepp)

 

Here’s a note on cross-tuning, previously published in ‘Newt Payne’s Tune

 

So you thought you could play violin…

(cross-tunings for those hell-bent on going over to the dark side from Wikipedia’s excellent page on cross-tuning)

FCGD = Cajun Tuning (one whole step down from GDAE)

GDGB = Open G Tuning

GDGD = Sawmill Tuning or “Cross G”

GDAD = “Gee-Dad”

DDAD = Dead Man’s Tuning, or Open D Tuning, or Bonaparte’s Retreat Tuning, or “Dee-Dad”

ADAE = High Bass Tuning, Old-Timey D Tuning

AEAE = Cross Tuning, “Cross A”, “High Bass, High Counter” (or “High Bass, High Tenor”), Cross Chord; similar to Sawmill Tuning

AEAC♯ = Black Mountain Rag Tuning, Calico Tuning, Open A Tuning, or Drunken Hiccups Tuning

AEAD for Old Sledge, Silver Lake

EDAE for Glory in the Meeting House

EEAE for Get up in the Cool

(Reproduced under Creative Commons license)

More hands-on cross-tuning at:

http://www.stringband.mossyroof.com/ (tunes taught at Greg and Jere Canote’s Seattle string band classes

http://slippery-hill.com/M-K/

 

Andy Fitzgibbon plays with the Iron Leg Boys, and co-runs the New Young Fogies project with Anna Roberts-Gevalt (of Anna & Elizabeth: see ‘The Devil’s Nine Questions/Billy in the Lowground’)

 

Leave a comment

Filed under American old-time/traditional, American traditional, Uncategorized

Great Uncle Henry

 

Fiddler Emma Reid’s composition Great Uncle Henry, played with Rob Harbron’s Waiting For Rain in a set of memorable tunes from the duo’s subtle, engaging album Flock & Fly.

But first…

Gig Alert!

Rob Harbron & Emma Reid play London’s Green Note

Monday 4 April

Details and booking here.

 

Rob Harbron (concertina), Emma Reid (viola)

 

 

You can hear and buy Flock & Fly on Bandcamp here, or by clicking on the player links above.

Rob Harbron:  website  Twitter

Emma Reid:  website

 

Leave a comment

Filed under English folk/modern, English folk/traditional, Nordic traditional, Uncategorized

John Stinson’s No.2

 

Originating in the Irish reel known as John Stenson’s No.2*, this lovely tune has made the transition to a new identity in America’s Old Time tradition, where it’s mostly played as a mountain dulcimer tune.

Here are two takes by fiddler Rachel Eddy and friends: video from a yard concert (played first, followed around 5:10 by a stonking rendition of Dance All Night with a Bottle in your Hand); and a rousing audio recording from Rachel’s Stockholm Old Time session.

 

Rachel Eddy (fiddle), Kristian Herner  (banjo),  Bill Fahy (guitar)

 

(‘John Stinsons Number Two – Rachel Eddy, Kristian Herner, and Bill Fahy’ YouTube video, 8.45. Posted by Bill Fahy, 8 Jul 2010. https://www.youtube.com/watch?v=sAvyBV9FFCY)

 

 

Rachel Eddy (fiddle), and the players of the Happy Wednesday Oldtime Jam, Stockholm, Sweden

 

(https://soundcloud.com/bengt-von-andreae/stinsons-number-two?in=user180058408/sets/old-time-fiddle)

 

*The original tune was composed by accordion player John Stenson, of Co. Sligo, Ireland. There’s basic tune audio on The Session here,  along with information (scroll down) on its popularity from acclaimed Irish fiddler Kevin Burke’s album If The Cap Fits.

 

Rachel Eddy:  website  Facebook  YouTube

Kristian Herner:  website  Facebook

Bill Fahy:  website  blog  Facebook

 

Leave a comment

Filed under American old-time, American traditional, Uncategorized

Lyvet

 

Sometimes you meet a tune you know is just never going to let go. Acclaimed hurdy-gurdy player Nigel Eaton plays his tune ‘Lyvet’.

A wonderful tune to play against a drone string to catch those gurdy tones.

 

Nigel Eaton (hurdy-gurdy)

In G minor

(https://soundcloud.com/nigeleaton/lyvet)

 

In F minor  – on a hurdy-gurdy made by his father, master hurdy-gurdy maker Chris Eaton

(‘Lyvet’ YouTube video, 1:15. Posted by Nigel Eaton, 27 Feb 2013. https://www.youtube.com/watch?v=iUXJEOVHcb4)

 

Nigel EatonSoundcloudYouTubewebsite

Chris Eaton,  hurdy-gurdy maker

 

Leave a comment

Filed under English folk/modern, Uncategorized

Old Time Billy in the Lowground

 

A great tune that deserves to be more widely known, this quirkily crooked melody was played in Franklin County, Kentucky, in the 19th century, and predates the better-known bluegrass tune that most people know as Billy In The Lowground*. The tag ‘Old Time’ was added to this version to avoid confusion with the later 20th century tune which had ‘borrowed’ the title. The origins of the title are widely debated online, with some relating it to William of Orange, others to Bonaparte or the Devil.

523px-Map_of_Kentucke_(1784)_color

I’m posting two videos by the irrepressible Canote brothers Jere and Greg: a full-on concert performance at speed, followed by a slightly slower version where Greg’s amazing fingering is more visible. Then there’s an old recording of Franklin County, Kentucky fiddler Kelly Gilbert (1895-1991), who learnt the tune from his local mentor Lewis Goins. And to finish off, a slower teaching session audio from the Canotes’ Seattle string band class to help tunecatchers nail the tune.

Played in G, in standard fiddle tuning GDAE. Dots to this version are available on the great website Old Time Fiddle Tunes, and there’s a banjo tab here.

(*For the more common version of the tune, played Old Time style, see my very first Fiddletails post in May 2015 – Anna & Elizabeth’s great video here)

 

Greg Canote (fiddle), Jere Canote (guitar), Brendan Doyle (banjo)

The Canotes take the stage with banjo player Brendan Doyle at a Fiddle Tunes Showcase Concert in 2009.

 

(‘Fiddle Tunes 2009 The Canotes playing “Old Time Billy in the Low Ground”’ YouTube video, 2.29. Posted by Randi Leach, 6 Jul 2009. https://www.youtube.com/watch?v=GBdWeXXzj8Q)

 

Greg Canote (fiddle), Jere Canote (guitar)

Filmed during a teaching workshop at the American Banjo Camp 2009, Fort Flagler, Washington state.

 

(‘Greg & Jere Canote at the American Banjo Camp, 2009’ YouTube video 1.23. Posted by Peter Langston, 30 Sep 2009. https://www.youtube.com/watch?v=SutKB9NO3i4)

 

Kelly Gilbert (fiddle)

Recorded by John Harrod in June 1978.

Kelly Gilbert

 

(From the Appalachian Center Collection, Berea College Southern Appalachian Archives, John Harrod Collection.)

Hear the full Kelly Gilbert recordings here)

 

Greg (fiddle), Jere (guitar), Candy Goldman (banjo)

Slower teaching audio file of the Canotes and Candy Goldman playing, made for their Seattle stringband class.

 

 

 

For more tunes taught at the Canotes’ Seattle class, see Maya Whitmont’s astonishing archive of audio files and banjo tabs here

 Greg and Jere Canote: find out more about the Canote Brothers, including albums, gigs, and the Seattle stringband class, on their website

 For even more great tunes, see Peter Langston’s American Banjo Camp and other music videos on his YouTube channel

American Banjo Camp: 9-11 September 2016, near Seattle, Washington State. ‘87 classes, 23 scheduled jams, 2 concerts, 6 meals, 2 late-night snacks, and 2 optional sleep periods, all compressed into 50 hours!’ And it’s not just for banjos!

 

Leave a comment

Filed under American old-time, American traditional, Uncategorized

GIG ALERT: LEVERET CONCERT STREAMING LIVE

SUNDAY 6 MARCH 2016, 21:00 GMT

Live from The Convent, near Stroud, Gloucestershire.

Tune in live and watch in real time on Sunday night, or you can watch as many times as you like in the following week.
£7.50 to stream the entire gig into your living room in glorious HD.

Details and booking here.

Leveret are Andy Cutting, Rob Harbron and Sam Sweeney.

This gig is the last in their current tour launching their second album In The Round.

Leveret

Check out their music on earlier Fiddletails posts Whitefriar’s Hornpipe, Jenny Pluck Pears, Purlongs and The Rising Sun

‘We’re very excited to be playing at this amazing venue and we hope that people will tune in all over the world. Please help us spread the word about it and get in touch to let us know you’re watching it’

Leveret are on  Facebook  and  Twitter (@LeveretBand)

Leveret

 

Leave a comment

Filed under English folk/traditional, Uncategorized