Andy Cutting’s lovely bourrée Milford seems to be rarely played. Here he is: first, playing it for a dance; and second, teaching it at workshop. As far as multi-instrumental versions go, the tune is part of trio Leveret’s repertoire (of which Andy is a member), but the only online video of a live performance is too poor a recording to be worth sharing, so finally I’ll link you to the marvellous audio from their album New Anything, on Spotify.
Pre-eminent English melodeon player Andy Cutting presents this airy tune in two videos, one teaching, and one performance. According to a YouTube comment, ‘Andy isn’t sure of the real name, and only knows that it’s Scandinavian.’ If you knowGunga’s secret identity, please let us all know!
Andy Cutting is renowned for his work with a number of iconic bands, including Leveret, Blowzabella and Topette. You can hear him live right now, along with fiddler Sam Sweeney and conertina-player Rob Harbron, on the current Leveret album launch tour.
Andy Cutting (melodeon)
Recorded playing for his class at the 2016 Burwell Bash folk music summer school.
(‘Andy Cutting, playing “Gunga” Melodeon and Accordion Workshop Burwell Bash 2016’, YouTube video 4.36. Published by Burwell Bash Aug 22 2016. https://www.youtube.com/watch?v=6los3syfWVg)
Andy Cutting (melodeon), Jock Tyldesley (fiddle), Tola Custy (fiddle), Katherine Mann (flute), Brian Finnegan (whistle), Ed Boyd (guitar)
‘Gunga’ is first tune up (1.20) in this clip from the wonderfully eclectic 2016 Burwell Bash tutors’ concert.
(‘The Tutors’ Group Performance, Burwell Bash 2016 Tutors Concert’, YouTube video 16.15. Published by Burwell Bash, Aug 9 2016. https://www.youtube.com/watch?v=dvHsEn-jdM0)
The Swedish 3/4 time slängpolska plays in some strangely danceable world between polka and waltz. This popular example was composed by Uppland herring fisherman, bargeman and renowned nyckelharpist Carl Ersson Bössa (1783-1847), known as Byss-Kalle (or Byss-Calle).
To non-Scandinavian ears, the rhythm is extraordinary: there’s an interesting discussion of slängpolska timing, along with details of Byss-Kalle’s life, at Banjo Hangout here.
In eighteenth-century England, the two John Walshes*, father and son, dominated music publishing. John Walsh Snr was printing engraved music on The Strand, London, by 1690, and later John Walsh Jnr won what we would now call ‘exclusive rights’ to Handel’s music.
Clark’s was first published in the Walshes’ 1730 tunes collection, under the snappy title The Third Book of the most celebrated jiggs, Lancashire hornpipes, Scotch and Highland lilts, Northern frisks, Morris’s and Cheshire rounds with hornpipes the bagpipe manner, to which is added the Black Joak, the White Joak, the Brown,, the Red, and the Yellow Joaks. With variety of whims and fancies of diff’rent humour, fitted to the genious of publick performers.
Perhaps they took editorial advice, or wanted to pay their engraver less, but the reprint title shrank to Three Extraordinary Collections, Early 18th century dance music for those who play publick.
Well, ‘those who play publick’ are still playing the Walshes’ tunes – and this particular hornpipe is one of my favourites.
Alma
Emily Askew (fiddle), John Dipper (fiddle), Nicola Lyons (fiddle), Adrian Lever (guitar)
Gorgeously textured performance by the London-based fiddle group at Sidmouth Folk Week 2015.
Becky Price (accordion), Tim Perkins (bouzouki/guitar), Richard Heacock (fiddle/viola), Daniel Wolverson (fiddle/viola)
This utterly danceable version is from the group’s 2008 album Feet, Don’t Fail Me Now, available on Spotify (the link is to the full album; it seems impossible to link to the single tune). You can find the sheet music for the tune in their first collection of English and Welsh country dance tunes The Boldwood Dancing Master, available from their website (see below).
The melody from a Dutch/Flemish traditional children’s song about a little boy who creates havoc pretending to be a knight.
Sometimes found in English morris dancing, the tune is played here live by wondrously funky dance band Blowzabella, first up in a set in Am, then transposing to Bm to morph into second tune Go Mauve (at 1:45).
(Image: Manet, Boy with a Sword*)
Blowzabella
Andy Cutting (diatonic button accordion), Jo Freya (vocals, saxophone, clarinet), Paul James (bagpipes, saxophones), Gregory Jolivet (hurdy-gurdy), Dave Shepherd (violin), Barn Stradling (bass guitar), Jon Swayne (bagpipes, saxophones)
Every couple of weeks or so I feature a tune that's caught my fancy – audio/video clips of brilliant musicians playing great, perhaps uncommon tunes to learn by ear. Most are from the English and American Old-time traditions; some hail from other musical worlds ‒ Scandi, perhaps, or French. But whatever you play ‒ fiddles or frets, free-reeds or fipples ‒ I hope you enjoy catching these wonderful tunes!